Three books were mentioned for our June, July, etc. meetings. I am posting them with links (these are the only three titles I remember!). There has also been a request for non-fiction or a good biography. Anyone have any great ideas?
When I was searching for books this morning, Sarah's Key came up as non-fiction. I don't remember that being listed as a non-fiction book when we read it. Does anyone else? Anyway, these three books have been read by a couple of members of our group or other groups and come highly recommended. Think about it, and we will decide at our May meeting. The meeting is scheduled for the third Thursday of the month. In May, that is May 19th. Hope to see you there!!!
When I was searching for books this morning, Sarah's Key came up as non-fiction. I don't remember that being listed as a non-fiction book when we read it. Does anyone else? Anyway, these three books have been read by a couple of members of our group or other groups and come highly recommended. Think about it, and we will decide at our May meeting. The meeting is scheduled for the third Thursday of the month. In May, that is May 19th. Hope to see you there!!!
Mennonite in a Little Black Dress: A Memoir of Going Home
by Rhoda Jantzen
This is supposed to be hilarious! I wouldn't have guessed that from the title. Check out the links and see what you think.
Interview with author:
http://www.amazon.com/gp/mpd/permalink/m160C2BWJP3M9T/ref=ent_fb_link
Editorial Reviews From Publishers Weekly Starred Review.
At first, the worst week of Janzen's life—she gets into a debilitating car wreck right after her husband leaves her for a guy he met on the Internet and saddles her with a mortgage she can't afford—seems to come out of nowhere, but the disaster's long buildup becomes clearer as she opens herself up. Her 15-year relationship with Nick had always been punctuated by manic outbursts and verbally abusive behavior, so recognizing her co-dependent role in their marriage becomes an important part of Janzen's recovery (even as she tweaks the 12 steps just a bit). The healing is further assisted by her decision to move back in with her Mennonite parents, prompting her to look at her childhood religion with fresh, twinkling eyes. (She provides an appendix for those unfamiliar with Mennonite culture, as well as a list of shame-based foods from hot potato salad to borscht.) Janzen is always ready to gently turn the humor back on herself, though, and women will immediately warm to the self-deprecating honesty with which she describes the efforts of friends and family to help her re-establish her emotional well-being.
Review
“This book is not just beautiful and intelligent, but also painfully -- even wincingly -- funny. It is rare that I literally laugh out loud while I'm reading, but Rhoda Janzen's voice -- singular, deadpan, sharp-witted and honest -- slayed me, with audible results. I have a list already of about fourteen friends who need to read this book. I will insist that they read it. Because simply put, this is the most delightful memoir I've read in ages.”—Elizabeth Gilbert, author of Eat, Pray, Love “This is an intelligent, funny, wonderfully written memoir. Janzen has a gift for following her elegant prose with the perfect snarky aside. If it weren't for the weird Mennonite food, I would like very much to be her friend.”—Cynthia Kaplan, author of Why I'm Like This and Leave the Building Quickly
by Rhoda Jantzen
This is supposed to be hilarious! I wouldn't have guessed that from the title. Check out the links and see what you think.
Interview with author:
http://www.amazon.com/gp/mpd/permalink/m160C2BWJP3M9T/ref=ent_fb_link
Editorial Reviews From Publishers Weekly Starred Review.
At first, the worst week of Janzen's life—she gets into a debilitating car wreck right after her husband leaves her for a guy he met on the Internet and saddles her with a mortgage she can't afford—seems to come out of nowhere, but the disaster's long buildup becomes clearer as she opens herself up. Her 15-year relationship with Nick had always been punctuated by manic outbursts and verbally abusive behavior, so recognizing her co-dependent role in their marriage becomes an important part of Janzen's recovery (even as she tweaks the 12 steps just a bit). The healing is further assisted by her decision to move back in with her Mennonite parents, prompting her to look at her childhood religion with fresh, twinkling eyes. (She provides an appendix for those unfamiliar with Mennonite culture, as well as a list of shame-based foods from hot potato salad to borscht.) Janzen is always ready to gently turn the humor back on herself, though, and women will immediately warm to the self-deprecating honesty with which she describes the efforts of friends and family to help her re-establish her emotional well-being.
Review
“This book is not just beautiful and intelligent, but also painfully -- even wincingly -- funny. It is rare that I literally laugh out loud while I'm reading, but Rhoda Janzen's voice -- singular, deadpan, sharp-witted and honest -- slayed me, with audible results. I have a list already of about fourteen friends who need to read this book. I will insist that they read it. Because simply put, this is the most delightful memoir I've read in ages.”—Elizabeth Gilbert, author of Eat, Pray, Love “This is an intelligent, funny, wonderfully written memoir. Janzen has a gift for following her elegant prose with the perfect snarky aside. If it weren't for the weird Mennonite food, I would like very much to be her friend.”—Cynthia Kaplan, author of Why I'm Like This and Leave the Building Quickly
The Birth of Venus
by Sarah Dunant
Editorial Reviews Amazon.com Review
Sarah Dunant's gorgeous and mesmerizing novel, Birth of Venus, draws readers into a turbulent 15th-century Florence, a time when the lavish city, steeped in years of Medici family luxury, is suddenly besieged by plague, threat of invasion, and the righteous wrath of a fundamentalist monk. Dunant masterfully blends fact and fiction, seamlessly interweaving Florentine history with the coming-of-age story of a spirited 14-year-old girl. As Florence struggles in Savonarola's grip, a serial killer stalks the streets, the French invaders creep closer, and young Alessandra Cecchi must surrender her "childish" dreams and navigate her way into womanhood. Readers are quickly seduced by the simplicity of her unconventional passions that are more artistic than domestic:
Dancing is one of the many things I should be good at that I am not. Unlike my sister. Plautilla can move across the floor like water and sing a stave of music like a song bird, while I, who can translate both Latin and Greek faster than she or my brothers can read it, have club feet on the dance floor and a voice like a crow. Though I swear if I were to paint the scale I could do it in a flash: shining gold leaf for the top notes falling through ochres and reds into hot purple and deepest blue. Alessandra's story, though central, is only one part of this multi-faceted and complex historical novel. Dunant paints a fascinating array of women onto her dark canvas, each representing the various fates of early Renaissance women: Alessandra's lovely (if simple) sister Plautilla is interested only in marrying rich and presiding over a household; the brave Erila, Alessandra's North African servant (and willing accomplice) has such a frank understanding of the limitations of her sex that she often escapes them; and Signora Cecchi, Alessandra's beautiful but weary mother tries to encourage yet temper the passions of her wayward daughter.
A luminous and lush novel, The Birth of Venus, at its heart, is a mysterious and sensual story with razor-sharp teeth. Like Alessandra, Dunant has a painter's eye--her writing is rich and evocative, luxuriating in colors and textures of the city, the people, and the art of 15th-century Florence. Reminiscent of Tracy Chevalier's Girl with a Pearl Earring, but with sensual splashes of color and the occasional thrill of fear, Dunant's novel is both exciting and enchanting. --Daphne Durham --This text refers to the Hardcover edition.
From Publishers Weekly In this arresting tale of art, love and betrayal in 15th-century Florence, the daughter of a wealthy cloth merchant seeks the freedom of marriage in order to paint, but finds that she may have bought her liberty at the cost of love and true fulfillment. Alessandra, 16, is tall, sharp-tongued and dauntingly clever. At first reluctant to agree to an arranged marriage, she changes her mind when she meets elegant 48-year-old Cristoforo, who is well-versed in art and literature. He promises to give her all the freedom she wants-and she finds out why on her wedding night. Her disappointment and frustration are soon overshadowed by the growing cloud of madness and violence hanging over Florence, nourished by the sermons of the fanatically pious Savonarola. As the wealthy purge their palazzos of "low" art and luxuries, Alessandra gives in to the dangerous attraction that draws her to a tormented young artist commissioned to paint her family's chapel. With details as rich as the brocade textiles that built Alessandra's family fortune, Dunant (Mapping the Edge; Transgressions; etc.) masterfully recreates Florence in the age of the original bonfire of the vanities. The novel moves to its climax as Savonarola's reign draws to a bloody close, with the final few chapters describing Alessandra's fate and hinting at the identity of her artist lover. While the story is rushed at the end, the author has a genius for peppering her narrative with little-known facts, and the deadpan dialogue lends a staccato verve to the swift-moving plot. Forget Baedecker and Vasari's Lives of the Artists. Dunant's vivid, gripping novel gives fresh life to a captivating age of glorious art and political turmoil.
by Sarah Dunant
Editorial Reviews Amazon.com Review
Sarah Dunant's gorgeous and mesmerizing novel, Birth of Venus, draws readers into a turbulent 15th-century Florence, a time when the lavish city, steeped in years of Medici family luxury, is suddenly besieged by plague, threat of invasion, and the righteous wrath of a fundamentalist monk. Dunant masterfully blends fact and fiction, seamlessly interweaving Florentine history with the coming-of-age story of a spirited 14-year-old girl. As Florence struggles in Savonarola's grip, a serial killer stalks the streets, the French invaders creep closer, and young Alessandra Cecchi must surrender her "childish" dreams and navigate her way into womanhood. Readers are quickly seduced by the simplicity of her unconventional passions that are more artistic than domestic:
Dancing is one of the many things I should be good at that I am not. Unlike my sister. Plautilla can move across the floor like water and sing a stave of music like a song bird, while I, who can translate both Latin and Greek faster than she or my brothers can read it, have club feet on the dance floor and a voice like a crow. Though I swear if I were to paint the scale I could do it in a flash: shining gold leaf for the top notes falling through ochres and reds into hot purple and deepest blue. Alessandra's story, though central, is only one part of this multi-faceted and complex historical novel. Dunant paints a fascinating array of women onto her dark canvas, each representing the various fates of early Renaissance women: Alessandra's lovely (if simple) sister Plautilla is interested only in marrying rich and presiding over a household; the brave Erila, Alessandra's North African servant (and willing accomplice) has such a frank understanding of the limitations of her sex that she often escapes them; and Signora Cecchi, Alessandra's beautiful but weary mother tries to encourage yet temper the passions of her wayward daughter.
A luminous and lush novel, The Birth of Venus, at its heart, is a mysterious and sensual story with razor-sharp teeth. Like Alessandra, Dunant has a painter's eye--her writing is rich and evocative, luxuriating in colors and textures of the city, the people, and the art of 15th-century Florence. Reminiscent of Tracy Chevalier's Girl with a Pearl Earring, but with sensual splashes of color and the occasional thrill of fear, Dunant's novel is both exciting and enchanting. --Daphne Durham --This text refers to the Hardcover edition.
From Publishers Weekly In this arresting tale of art, love and betrayal in 15th-century Florence, the daughter of a wealthy cloth merchant seeks the freedom of marriage in order to paint, but finds that she may have bought her liberty at the cost of love and true fulfillment. Alessandra, 16, is tall, sharp-tongued and dauntingly clever. At first reluctant to agree to an arranged marriage, she changes her mind when she meets elegant 48-year-old Cristoforo, who is well-versed in art and literature. He promises to give her all the freedom she wants-and she finds out why on her wedding night. Her disappointment and frustration are soon overshadowed by the growing cloud of madness and violence hanging over Florence, nourished by the sermons of the fanatically pious Savonarola. As the wealthy purge their palazzos of "low" art and luxuries, Alessandra gives in to the dangerous attraction that draws her to a tormented young artist commissioned to paint her family's chapel. With details as rich as the brocade textiles that built Alessandra's family fortune, Dunant (Mapping the Edge; Transgressions; etc.) masterfully recreates Florence in the age of the original bonfire of the vanities. The novel moves to its climax as Savonarola's reign draws to a bloody close, with the final few chapters describing Alessandra's fate and hinting at the identity of her artist lover. While the story is rushed at the end, the author has a genius for peppering her narrative with little-known facts, and the deadpan dialogue lends a staccato verve to the swift-moving plot. Forget Baedecker and Vasari's Lives of the Artists. Dunant's vivid, gripping novel gives fresh life to a captivating age of glorious art and political turmoil.
Cutting for Stone
by Abraham Verghese
Interview with Author:
http://www.amazon.com/gp/mpd/permalink/m1KL9E3NBL49Z2/ref=ent_fb_link
Editorial Reviews Amazon.com Review Amazon Exclusive: John Irving Reviews Cutting for Stone
John Irving has been nominated for a National Book Award three times--winning once, in 1980, for the novel The World According to Garp. In 1992, Irving was inducted into the National Wrestling Hall of Fame in Stillwater, Oklahoma. In 2000, he won the Oscar for Best Adapted Screenplay for The Cider House Rules--a film with seven Academy Award nominations. Read his exclusive Amazon guest review of Cutting for Stone:
That Abraham Verghese is a doctor and a writer is already established; the miracle of this novel is how organically the two are entwined. I’ve not read a novel wherein medicine, the practice of it, is made as germane to the storytelling process, to the overall narrative, as the author manages to make it happen here. The medical detail is stunning, but it never overwhelms the humane and narrative aspects of this moving and ambitious novel. This is a first-person narration where the first-person voice appears to disappear, but never entirely; only in the beginning are we aware that the voice addressing us is speaking from the womb! And what terrific characters--even the most minor players are given a full history. There is also a sense of great foreboding; by the midpoint of the story, one dreads what will further befall these characters. The foreshadowing is present in the chapter titles, too--‘The School of Suffering’ not least among them! Cutting for Stone is a remarkable achievement.--John Irving
From Publishers Weekly Starred Review.
Lauded for his sensitive memoir (My Own Country) about his time as a doctor in eastern Tennessee at the onset of the AIDS epidemic in the 80s, Verghese turns his formidable talents to fiction, mining his own life and experiences in a magnificent, sweeping novel that moves from India to Ethiopia to an inner-city hospital in New York City over decades and generations. Sister Mary Joseph Praise, a devout young nun, leaves the south Indian state of Kerala in 1947 for a missionary post in Yemen. During the arduous sea voyage, she saves the life of an English doctor bound for Ethiopia, Thomas Stone, who becomes a key player in her destiny when they meet up again at Missing Hospital in Addis Ababa. Seven years later, Sister Praise dies birthing twin boys: Shiva and Marion, the latter narrating his own and his brothers long, dramatic, biblical story set against the backdrop of political turmoil in Ethiopia, the life of the hospital compound in which they grow up and the love story of their adopted parents, both doctors at Missing. The boys become doctors as well and Vergheses weaving of the practice of medicine into the narrative is fascinating even as the story bobs and weaves with the power and coincidences of the best 19th-century novel.
by Abraham Verghese
Interview with Author:
http://www.amazon.com/gp/mpd/permalink/m1KL9E3NBL49Z2/ref=ent_fb_link
Editorial Reviews Amazon.com Review Amazon Exclusive: John Irving Reviews Cutting for Stone
John Irving has been nominated for a National Book Award three times--winning once, in 1980, for the novel The World According to Garp. In 1992, Irving was inducted into the National Wrestling Hall of Fame in Stillwater, Oklahoma. In 2000, he won the Oscar for Best Adapted Screenplay for The Cider House Rules--a film with seven Academy Award nominations. Read his exclusive Amazon guest review of Cutting for Stone:
That Abraham Verghese is a doctor and a writer is already established; the miracle of this novel is how organically the two are entwined. I’ve not read a novel wherein medicine, the practice of it, is made as germane to the storytelling process, to the overall narrative, as the author manages to make it happen here. The medical detail is stunning, but it never overwhelms the humane and narrative aspects of this moving and ambitious novel. This is a first-person narration where the first-person voice appears to disappear, but never entirely; only in the beginning are we aware that the voice addressing us is speaking from the womb! And what terrific characters--even the most minor players are given a full history. There is also a sense of great foreboding; by the midpoint of the story, one dreads what will further befall these characters. The foreshadowing is present in the chapter titles, too--‘The School of Suffering’ not least among them! Cutting for Stone is a remarkable achievement.--John Irving
From Publishers Weekly Starred Review.
Lauded for his sensitive memoir (My Own Country) about his time as a doctor in eastern Tennessee at the onset of the AIDS epidemic in the 80s, Verghese turns his formidable talents to fiction, mining his own life and experiences in a magnificent, sweeping novel that moves from India to Ethiopia to an inner-city hospital in New York City over decades and generations. Sister Mary Joseph Praise, a devout young nun, leaves the south Indian state of Kerala in 1947 for a missionary post in Yemen. During the arduous sea voyage, she saves the life of an English doctor bound for Ethiopia, Thomas Stone, who becomes a key player in her destiny when they meet up again at Missing Hospital in Addis Ababa. Seven years later, Sister Praise dies birthing twin boys: Shiva and Marion, the latter narrating his own and his brothers long, dramatic, biblical story set against the backdrop of political turmoil in Ethiopia, the life of the hospital compound in which they grow up and the love story of their adopted parents, both doctors at Missing. The boys become doctors as well and Vergheses weaving of the practice of medicine into the narrative is fascinating even as the story bobs and weaves with the power and coincidences of the best 19th-century novel.
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